Addis to Gheralta

A year ago December, Jessica Dimson, the former Picture Editor at Departures Magazine sent me to Ethiopia to shoot a dream assignment. A mix of aerials and portraits about a helicopter safari to the hottest inhabitable spot on earth: The Denakil Depression. (Jessica is now at the New York Times)

I’ve been meaning to post a couple of blog entries about this assignment and never got around to it. Feature Shoot posted a piece about the assignment and recently tweeted about it.

The first part of the shoot involved a 17 hour flight from Washington DC to Addis Abba with a refueling stop in Italy. After I arrived in Addis I met the fixer for the shoot and several government officials who I needed to sign off on the authorization for me to shoot aerial photography. After the paperwork was taken care of, I met the writer, Sophy Roberts. Sophy was a joy to work with: she is inquisitive, funny and nothing seems to bother her.

The next day we hopped a courtesy ride from Addis to Gheralta on a private aircraft. Dealt with a customs agent in the middle of the country who thought we had flown direct his little airfield. By the time were finished “clearing customs” it was close to dusk and we had four hour drive on a dirt track in front of us.

Once we got underway we came across a caravan of camels led by a young man. From within the truck I shot a few frames and was berated by a boy of about seven yelling at me, in English, “no picture, no picture!”

After we arrived at the lodge, Sophy and I met Ben, our pilot along with his best friend, Richard who serves as cohort in crime and all-around crew chief. Our goal was to fly the Denakil in the morning and then return with the helicopter to Addis. As always, go with the flow, is the rule for editorial on location in another country. The schedule changed and Sophy and I took advantage of a free morning to explore the landscape of Northern Ethiopia. Our guide took us to meet two monks who lived in caves that are 1000 meters above the surrounding valley. The monks live in rock-hewn churches carved deep into the mountain and painted with images of Jesus and the Holy Church.

It was a tough climb with little helpers to carry my back pack and tripod. The first part of the climb was up a rutted and rock strewn chute we half crawled-walked up. Then we tackled a kilometer of slick rock and donkey trail. Of course, once we got to the top we found a perfect spot to land the helicopter if we ever wanted to come back.

The monk on the left is seventy-eight years old. The monk on the right side of the frame is 113 years old by the Ethiopian calendar. The Ethiopian Calendar has thirteen months instead of twelve in the Julian calendar. I think the older monk is close to ninety years of age by the Julian calendar.

For some reason, even with the language barrier, the younger monk and I connected. I shot some strong portraits of him and sent jpegs to our guide to show him the next time he goes to the church.

Spider Awards | Honorable Mention Advertising

The Spider Awards just released the list of winners and honorable mentions for the 6th Annual Spider B&W contest.

My aerial of the Milford Wind farm in Utah that was shot for Clipper WindPower was included in this years advertising section.

The contest winners work can be seen and the magazine downloaded at: http://www.thephotopaper.com/download.php It was a slow connection this morning. (Sunday)

Ben Reznik for Vanity Fair

For the past two days, I’ve been trawling my archives for new portfolio images. Images that were overlooked in the rush to get the client selects out and the job put to bed.

In September, Vanity Fair sent me to Los Angeles to shoot aerials of a contested piece of land under development in Beverley Hills and to photograph the attorney representing the owner of the property.

Mr. Reznik was a delight to photograph. Given the nature of the story, I expected a tightly-scheduled, let’s get this done approach from him, instead I met a gracious man who took the time to tell me the back history of this unusual property that overlooks Los Angeles. He showed me the original underground garage that housed former owner Peter Sellers collection of vintage sports cars and told me a bit about the history of the property.

The shoot was scheduled for the mid-afternoon and the weather gods blessed us with the first clear day in close to a month. I’ve started shooting portraits with medium format again. My goal is to slow down a bit and lets the moments happen rather than chase after them with the DSLR kit. That approach is a reflection of my own desire to shoot less frames and make them count.

Attorney Ben Reznik in Los Angeles

I posted a brief piece about this shoot when Vanity Fair first published the story. If you are interested in the piece and the controversy surrounding this land, please click here to the Vanity Fair site.

The first error

Received a very nice email today from a gentlemen who lives on the Eastern Shore of Virginia. The Captions on page 134 and 135 describing Fisherman’s Island and Tangier Island are reversed.

Wow. Five to six people double-checked the book and a mistake made it through. As the gentlemen said to me, “Were only human.”

It rests with me. Sorry about that folks because Tangier and Fisherman look very different.

Craney Island

A target of opportunity:

Flying across the James River to an early morning shoot in Hampton. I’ve been shooting Craney Island for the Chesapeake project and had planned to photograph it on the return flight. I was strapped into the rear cabin of an Robinson R-44 and had my trusty KS-8 gyroscope spun up and ready to roll with the D3x.

I shot three or four frames and then out the camera away to concentrate on the shoot ahead.

A target of opportunity happens when you least expect it but are prepared ahead of time.

Craney Island

Lomo La Sardina Project

http://microsites.lomography.com/la-sardina/

Earlier this summer I shot a small campaign for LOMO cameras using old Holga, Diana and LOMO fish-eye cameras.

The brief was shoot whatever I wanted with any LOMO, Lubitel, Holga or Diana camera and break the rules by using outdated film. I just happened to have a box or two of Fuji 160 NC that was five years out of date. My goal was to make the images as retro and anti-digital as possible. The images were used on a tourism web site plus the new La Sardina camera special edition for the Commonwealth.

Foamhenge by Cameron Davidson

Foamhenge

Martha Spencer, Bluegrass Musician

Martha Spencer

Martha Spencer with a fish-eye lens

Martha Spencer photographed with a LOMO fisheye camera.

Steve Barr Banjo Player

Stevie Barr, Ace Banjo Player, founder of “No Speed Limit” and general cut-up.

Galax Fiddler Convention

Galax Fiddler Convention

Johnny Appleseed

Johnny Appleseed