Alien Skin twenty-percent sale for Haiti Relief

The good folks at Alien Skin software (the makers of the incredible Exposure 2 plug-in for photoshop) are donating ten-percent of their sales through the end of the month to the Red Cross and the Community Coalition for Haiti – the NGO that I shoot for and am a member of their board of directors. In addition to donating ten-percent of their sale, they are also offering twenty-percent off through the end of the month. Which is pretty cool!
alienskin

How I use Photo Mechanic

Here is how I work in Photo Mechanic and why I prefer it for placing keywords, captions and renaming of the files.
The advantage for me is the file info is embedded and if the file is moved or additional versions are made of it, it does not require a sidebar file to stay current.
In Photo Mechanic you can open up a folder of images. I usually edit by color/rating with number 1 being a pink of sorts.
I make my selects with the 1 key and then after I am finished with that process, I choose my selects by color. I highlight those images and rename them with the rename command. Usually, it is something like this: cd_101208_client_number. Initials_Date_client_image number. After I have renamed the images, I pull down the ITPC page. I then write my captions, keywords, locations, any data that I want in the ITPC fields. You click on a check box to include or not include the information. After I have written everything I need for the image, I apply the ITPC info to the images.
How this is different than other methods, is the data is written directly to the RAW file. It has always (for me) stayed within the file and never been stripped except once by a client using an ancient version of Photoshop years ago.
When I export a web gallery from PM, the data stays with the images and can be included as a caption for that image and also included as an overwrite on the image like a watermark.
I usually include the file number as a watermark in case the client decides to rename the file. (I’ve mentioned that method before)

Here is how I work in Photo Mechanic and why I prefer it for placing keywords, captions and renaming of the files.

The advantage for me is the file info is embedded and if the file is moved or additional versions are made of it, it does not require a sidebar file to stay current.

In Photo Mechanic you can open up a folder of images. I make my selects with the number key and then after I am finished with that process, I choose my selects by color. I highlight these images and rename them with the rename command. Usually, it is something like this: cd_122309_client_number.

Initials_Date_Client_image number. After I have renamed the images, I pull down the ITPC page. I then write my captions, keywords, locations, any data that I want in the ITPC fields. You click on a check box to include or not include the information. After I have written everything I need for the image, I apply the ITPC info to the images.

How is this different than other methods of writing captions and ITPC data? In PM s the data is written directly to the RAW file. Most other programs (Aperture, Capture One, Lightroom, Adobe Bridge) write to a side-car file that is used for the final export of the jpeg, tiff or DNG. The data I embed has always stayed within the file and never been stripped except once by a client using an ancient version of Photoshop who used Save-for-web on my web gallery files and renamed them in the process.

When I export a web gallery from PM, the data stays with the images and can be included as a caption for that image and also included as an overwrite on the image like a watermark.

I usually include the file number as a watermark in case the client decides to rename the file.   I often embed the file name into a variable field incase the client crops the watermark and renames the file.  I can then open the file in PM or Photoshop and look up the original file name.

Ken Allen Digital | Alexandria, Virginia

Ken Allen has set-up a sister studio to his Brooklyn location.

I attended his open house in Old Town last night. Ken and I spoke at length about their services and customer base. I brought along a D3X raw file from a recent aerial shoot to see how large he could take the image up and the quality of the print on Hahnemuhle Baryta paper.

The studio is on the second floor with sky lights and a clean open feeling. I looked at several sample prints: including an Obama election picture from Burnetti that was printed on three manufactures matte papers.

He is dividing his time between the Brooklyn and Alexandria studios. He has a solid client base in the DC region with museums and associations. After interviewing twenty-five people chosen from 300 applicants, Ken chose Patrick Allen (no relation) to work in the Alexandria location. Patrick spent a year flying up and down the east coast shooting aerials of Lighthouses. I thought that was a great introduction to this crazy business.

With my Chesapeake book close to sending off to the printer, I plan to host a show of very large aerials from the book.

Ken may be the studio that I work with to produce the limited edition prints from the project.

Contact: ken@kenallenstudios.com
Web site: kenallendigital. (Alexandria)
Web site: Ken Allen Studios (Brooklyn)
Phone: 917-853-0592

iPhone Photo Apps

Here are a few interesting and fun iPhone Photo apps to while away your day.

TiltShift for iPhone. Tilt shift your images in your iPhone.   Overused technique (I’ve done it too) but fun with an iphone picture.  $1.99

Shake It Photo. Turn your iphotos into Polaroids.   This is a pretty cool little app.  I miss those little SX-70 Polaroids. 99 cents

PhotoShop iPhone: A cool little freebie from Adobe.  Zero dollars

Green Screen Lite: Simple program for green screen: put your subject anywhere.  Free – upgrade to full version for $2.99

Camera Bag: This is seriously cool little app that is also available for your desktop Macintosh.    99 Cents.